With “The Power of the Dog,” Jane Campion’s western about toxic masculinity starring Benedict Cumberbatch, Wegner shot large-format with the Alexa LF (and vintage anamorphic Ultra Panatar lenses) to take advantage of the vast landscapes in New Zealand (filling in for Montana). Fraser also took the unusual step of creating a Kodak 35mm negative and scanning it back digitally for a more analog experience in theaters. Other environments include the autumnal-looking water planet Caladan and the goth-looking planet Giedi Prime, which makes for quite a diverse color palette. It was photographed in large format by Fraser, who alternated between the digital Alexa LF and IMAX 65mm cameras (for Paul’s surreal dreams and visions on the harsh and desolate desert planet Arrakis, shot mainly in Jordan). Greig Fraser is the favorite for his first Oscar win for Denis Villeneuve’s expansive yet intimate “Dune,” with its dangerous mix of politics and religion, centered around Timothée Chalamet’s messianic Paul Atreides. This deprived the Oscar race of two black-and-white nominees since they merged color and black-and-white in the late ’60s. 'Cowboy Bebop': Everything You Need to Know About the Live-Action Netflix AdaptationĪlso, in a departure from the ASC nominations, two-time Oscar winner Janusz Kamiński (“Saving Private Ryan” and “Schindler’s List”) made the Oscar cut for “West Side Story” over “Belfast’s” Haris Zambarloukos. Leonardo DiCaprio's 11 Best Performances Ranked Significantly, cinematographer Ari Wegner (“The Power of the Dog”) became only the second female nominee, following DP Rachel Morrison (“Mudbound”) in 2018.Īs 'American Idol' Turns 20, the Oscars Provide a Birthday Gift to ABC's Most Popular ShowĪcademy Announces Stricter COVID Protocols Ahead of Oscars Ceremony Updated February 9: The frontrunning “Dune” (Warner Bros.) competes against “The Power of the Dog” (Netflix), “West Side Story” (20th Century/Disney) “Nightmare Alley” (Searchlight/Disney), and the black-and-white “The Tragedy of Macbeth” (Apple TV+). Previously, Rachel Morrison (“Mudbound”) was the only woman cinematographer ever nominated for both the ASC and Oscars. Her director, “Power of the Dog’s” Jane Campion, is expected to win the Oscar for Best Director. However, don’t be surprised if Wegner (winner of the Critics Choice Award) pulls off an upset over her fellow Australian and becomes the first woman to win the Oscar for cinematography. He now has critical momentum going into Sunday’s Oscars, bolstered by his recent BAFTA prize and praise for his dark and gritty “The Batman.” Updated March 21: “Dune” cinematographer Greig Fraser won the feature film prize March 20 at the 36th annual ASC Awards (held at the organization’s clubhouse in Hollywood).

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